WandaVision

The MCU is expanding. Super soldiers and armored billionaires are over. Now it’s time to explore new corners in this vast universe, alongside one of our favorite superhero couples: Wanda Maximoff and Vision. Beware, because this review has huge spoilers for WandaVision. If you haven’t seen the show, go watch it first.

Elizabeth Olsen as Wanda Maximoff in Marvel Studios’ WANDAVISION exclusively on Disney+. Photo courtesy of Marvel Studios. ©Marvel Studios 2021. All Rights Reserved.

WandaVision was one of the most anticipated Marvel and Disney+ shows of all times, not only because it’s the first Marvel Studios original series, but also because its premise was unique and bold. We truly didn’t know what to expect.

The show starts with the recently married Wanda and Vision, living a happy and peaceful life in Westview, New Jersey, as if they were inside an old sitcom. Somehow, they are finally experiencing what seems to be the perfect life. No Thanos, no Avengers. Just sitcoms. But we know something’s wrong. And that’s how the mystery begins.

One of the most amazing aspects of this experience was the weekly episodes. While Netflix nails the binge model, Disney+ really owns this way of watching shows. Every Friday, we watched WandaVision, trying to put the pieces of the puzzle together, and that alone made the experience worth it. Of course, some theories were ultimately wrong, but I think the journey was so thrilling and full of great moments, that at the end of the day, that’s what we will remember.

Once you see the whole picture, you understand what WandaVision is really about. The big bad wasn’t Mephisto or Nightmare, or even S.W.O.R.D or Agatha. Wanda’s greatest foe was grief. And the show handle that perfectly.

As the decades of the sitcom world Wanda created change, you can see the different stages of grief she goes through. And even though she tries to do everything she can to keep Vision and his world intact, she can’t escape reality for long.

The first episodes show denial, that’s why the sitcom element is more prominent. Wanda is living her perfect life, and even though there are small inconveniences and little details out of place, she goes on with her fantasy. After that, we have anger, a moment we clearly see when Wanda pushes Geraldine/Monica trough the walls. And in that moment, we are shown Vision’s dead face, to remind us (and Wanda) of the real world.

Elizabeth Olsen as Wanda Maximoff and Paul Bettany as Vision in Marvel Studios’ WANDAVISION exclusively on Disney+. Photo courtesy of Marvel Studios. ©Marvel Studios 2021. All Rights Reserved

I think one of the greatest elements of the show was Fake Pietro, or Fietro. “But Evan Peters wasn’t playing Peter, he’s not Fox’s Quicksilver, we were robbed!”. Well, I get that some people might have felt fooled, but I think that Ralph (Fietro) was a very smart move. Let me explain.

At this point on the show, Wanda seems to know that she did something wrong, but she can’t remember. Vision knows that too, and feels like Wanda is hiding something from him, which makes him no trust her as before. In that exact moment, Fietro appears. And when you see Wanda’s reaction, you know that she doesn’t recognize him, because he isn’t Pietro. But Vision doesn’t trust her, she’s alone, and she needs someone, a familiar face. And even though she knows that’s not her brother, she chooses to believe he is. And we, as the audience, do the same. We want to believe he is Pietro, or at least, a multiverse version of him, because we want Wanda to have someone she can rely on. And that move would never work if Evan Peters wasn’t playing that character.

If Fietro was a random actor, we, the audience, would have known from the very beginning that he wasn’t her brother. We wouldn’t have trusted him. But because we knew there was a chance, a small one, of Pietro being real, we chose to believe in him. And, of course, he wasn’t real. In her grief, Wanda chose to believe in him too, but when she faces the truth, she falls into the fourth stage of grief: depression.

(L-R): Elizabeth Olsen as Wanda Maximoff and Teyonah Parris as Monica Rambeau in Marvel Studios’ WANDAVISION exclusively on Disney+. Photo courtesy of Marvel Studios. ©Marvel Studios 2021. All Rights Reserved.

When everything falls apart, we get to one the best episodes of the show: episode 8. After learning the truth about Agatha, with one of the most memorable villain introductions of the MCU, we go and explore Wanda’s trauma from the very beginning. This was not only brilliant and relevant, but also necessary, because the movies never really explored Wanda’s story.

We learned about Wanda’s obsession with sitcoms and how she was a witch before touching the Mind Stone, we see her bonding with Vision after Pietro’s death, and, finally, we see what really happened with Vision after Infinity War. After that, we witness how Wanda, feeling completely alone and broken, creates the sitcom world when her real powers finally manifest. And that’s when we hear, for the first time in the MCU history, the words we wanted to hear: “this is Chaos Magic Wanda, and that makes you, the Scarlet Witch”. And then, after the big finale with Wanda, Vision, Agatha, White Vision, the twins and S.W.O.R.D., we witness the rise of the Scarlet Witch, in all her glory.

Elizabeth Olsen as Wanda Maximoff in Marvel Studios’ WANDAVISION exclusively on Disney+. Photo courtesy of Marvel Studios. ©Marvel Studios 2021. All Rights Reserved.

The final episode is full of action, yes, but also emotion. Wanda’s fight with Agatha is visually stunning, and it’s great to see Billy and Tommy using their powers. Vision fighting Vision will be remembered forever as one of the most clever and amazing scenes in the MCU.

But when Wanda finally accepts her destiny and the reality she was trying to avoid, she has to say goodbye to Vision and the twins. That final sequence is full of emotion, “sadness, hope and love”. As the couple says, we will see them again for sure, but that doesn’t make the goodbye less painful.

(L-R): Jett Klyne as Tommy, Julian Hilliard as Billy and Elizabeth Olsen as Wanda Maximoff in Marvel Studios’ WANDAVISION exclusively on Disney+. Photo by Suzanne Tenner. ©Marvel Studios 2021. All Rights Reserved.

WandaVision is one of the best superhero shows I’ve ever seen. It’s a great exploration of grief and trauma, but also a perfect origin story for one of the most powerful characters in the MCU. Wanda’s story is just starting, but she’s not the only one we’ll meet again.

Teyonah Parris’ Monica Rambeau has become a fan favorite, not only because of Parris ability to make a realistic and strong woman, but also because she shows the values that define a real superhero. And now that she also has powers, it’s safe to say that Captain Marvel will have a very useful ally.

And, of course, we have to talk about the twins. Billy and Tommy are definitely alive, and Wanda knows that. Reading the Darkhold is probably not the best idea, but I’m sure that we’ll see the repercussions of Wanda’s actions explored in the Doctor Strange sequel. After showing their powers, I can’t wait to see the twins again, and hopefully, they’ll grow up again to become Wiccan and Speed.

In conclusion, WandaVision is a must see for everyone who considers themselves a Marvel fan. This is the first Disney+ show Marvel has created, and the quality is undeniable. The show really feels like a very long Marvel movie, and the extra time is perfect to develop the characters that they never had the chance to explore in the movies.

(Clockwise from left): Scarlet Witch/Wanda Maximoff (Elizabeth Olsen), Tommy (Jett Klyne), Vision (Paul Bettany), Billy (Julian Hilliard) Monica Rambeau (Teyonah Parris) and Agatha Harkness (Kathryn Hahn) in Marvel Studios’ WANDAVISION exclusively on Disney+. Photo courtesy of Marvel Studios. ©Marvel Studios 2021. All Rights Reserved.

Chilling Adventures of Sabrina Season 4

The Chilling Adventures of Sabrina come to an end. Even though this show started in 2018 and became a huge hit for Netflix, the streaming service decided to cancel it last year, giving it a fourth and final season to conclude the story of Sabrina Spellman.

Is this final season worth-watching? The short answer would be yes. If you are a fan of the show, the characters and everything that makes CAOS special, you will enjoy these new episodes. Are they as good as the first ones? Is the ending any good? Let’s discuss.

CHILLING ADVENTURES OF SABRINA KIERNAN SHIPKA as SABRINA IN CHILLING ADVENTURES OF SABRINA. Cr. DIYAH PERA/NETFLIX © 2020

Season 4 of CAOS is great. As a said before, fans of the show will definitely enjoy it. It’s on par with season 3, so it means that, unfortunately, it’s not as good as the first two parts.

The story this time revolves around the Eldritch Terrors, powerful and ancient entities that are eager to destroy the world. Each episode focuses on one of these terrors, which made the show feel a bit episodic, instead of creating a huge plot line that develops throughout the season. This is not something bad per se, it just means that some episodes will be easily forgotten once you finish the show. However, I will admit that episode 7 was the best episode of the season, and probably one of the best of the series.

The Terror are quite interesting, but some of them are more developed than others. In the end, they feel like means to an end, which is bringing back certain characters and the big bad of the season: The Void.

The cast is, as usual, incredible. If CAOS has something special that will make you forget the not-so-good aspects of the show, it’s definitely its cast. Kiernan Shipka, Michelle Gomez, Miranda Otto and Skye P. Marshall are the best part of this season, mainly because they have the more interesting plot lines.

The rest of the cast does a great job every time they are on screen. Luke Cook, Tati Gabrielle and Lucy Davis are wonderful, especially in this season. However, the special guest stars of episode seven are probably the greatest addition to this show and this season.

CHILLING ADVENTURES OF SABRINA (L to R) LUKE COOK as LUCIFER and MICHELLE GOMEZ as MADAM SATAN inCHILLING ADVENTURES OF SABRINA. Cr. DIYAH PERA/NETFLIX © 2020

The ending was ok. You can definitely see how rushed it was, and that creator Roberto Aguirre-Sacasa had more stories to tell with this cast. However, Netflix canceled it, and at least, they didn’t leave the story open. It’s not a bad ending, but I wish we could have gotten a final season, or a special episode to wrap things up in a better way.

As Tony Stark would say, “part of the journey is the end”, and Chilling Adventures of Sabrina was quite the journey. Maybe it’s not the greatest show ever created, but I will always remember it. The good outweighs the bad, for sure, and these characters will always be remembered.

And who knows, maybe someday Netflix decides to bring back CAOS for one last adventure.

CHILLING ADVENTURES OF SABRINA (L to R) MIRANDA OTTO as ZELDA and LUCY DAVIS as HILDA in CHILLING ADVENTURES OF SABRINA. Cr. DIYAH PERA/NETFLIX © 2020

The Prom

After debuting on Broadway in 2018, The Prom became a huge musical sensation. Now, thanks to Netflix and Ryan Murphy, the world can finally experience this wonderful story, filled with great characters and amazing music.

Ryan Murphy is a particularly good producer, but he has his own style. I think that if you are not a Ryan Murphy fan, some of his shows and films can be difficult to sit through. However, sometimes he creates something so good and unique, that everyone can enjoy it. He did it with American Crime Story, and I think he does it again with The Prom.

The movie is incredibly bright and cheerful, and even though the story has its sad moments, by the end of the credits you’ll find yourself dancing and singing. And I think that’s how you know that a musical worked.

I would say that The Prom is the new Mamma Mia!, and I think that Meryl Streep has something to do with that. Her Dee Dee Allen is absolutely perfect: from her style, to her musical performances and funny lines, Meryl Streep’s Dee Dee Allen is the best character in this movie, and another example of how, sometime, stun casting actually works.

THE PROM (L to R) ANDREW RANNELLS as TRENT OLIVER, KERRY WASHINGTON as MRS. GREENE, MERYL STREEP as DEE DEE ALLEN, JO ELLEN PELLMAN as EMMA, JAMES CORDEN as BARRY GLICKMAN in THE PROM. Cr. MELINDA SUE GORDON/NETFLIX © 2020

A lot has been said about James Corden’s performance as Barry. Sure, Corden isn’t gay, but I think his portrayal of a gay man wasn’t offensive at all. In fact, I really liked not only his performance, but also Barry’s story arc. Plus, I don’t think we can criticize The Prom for not having good LGBTQ+ representation, when not only the story is about two lesbian girls, but there are a lot of LGBTQ+ actors in the movie. And their roles are significant.

For instance, Andrew Rannells is fantastic as Trent, and his song “Love Thy Neighbor” is one of the most funny and entertaining musical numbers in the film. And I can’t say enough good things about Jo Ellen Pellman performance. Her Emma is funny and relatable, and Pellman is definitely a very talented actor who can hold her own alongside stars like Meryl Streep or Nicole Kidman.

THE PROM (L to R) JO ELLEN PELLMAN as EMMA, ARIANA DEBOSE as ALYSSA GREENE in THE PROM. Cr. MELINDA SUE GORDON/NETFLIX © 2020

The rest of the cast also does a good job. Nicole Kidman and Keegan-Michael Key have their moments to shine, and they really do. Plus, we really need to appreciate Kerry Washington’s performance. Her character is very annoying and represents the worst of humanity, but Washington deserves the credit for taking that role.

And yes, the music is incredible. “It’s Not About Me” and “It’s Time To Dance” are the best moments, in my opinion, but there are a lot of numbers and every single actor has a moment to show their talent. And, as someone who hasn’t seen the Broadway musical, I have to say: I think that the movie format works really good with this adaptation, because the camera allows us to enjoy the choreographies and see the actors’ facial expressions.

I can’t say enough good things about this movie. The Prom is a celebration of love and music. Even if you aren’t a huge musical theater fan, I think you will enjoy this film. The songs are catchy, but they talk too, and the characters are very relatable and funny. I think this is the kind of feel-good movie you want to watch right now.

THE PROM (L to R) NICO GREETHAM as NICK, LOGAN RILEY HASSEL as KAYLEE, ARIANA DEBOSE as ALYSSA GREENE, ANDREW RANNELLS as TRENT OLIVER, JO ELLEN PELLMAN as EMMA, SOFIA DELER as SHELBY, NATHANIEL POTVIN as KEVIN, TRACEY ULLMAN as VERA, JAMES CORDEN as BARRY GLICKMAN in THE PROM. Cr. MELINDA SUE GORDON/NETFLIX © 2020

Love and Monsters

I know what you’re thinking. You saw this poster and said: “oh, another post-apocalyptic story”. Well, technically, it’s true. Love and Monsters is set in an apocalyptic world where humans are on the brink of extinction. But there’s more to it. This is actually a very solid coming-of-age story about Joel (Dylan O’Brien), a simple guy who decides to make a dangerous journey on the world’s surface in order to reunite with his girlfriend, Aimee, who lives just 80 miles away from him.

Overall, the movie is great. It has a very charismatic main character, a simple but solid story and particularly good action sequences. Plus, the film has a lot of heart, which makes separate it from other apocalyptic stories easier.

Dylan O’Brien is great as always. He is a very strong lead, and he practically carries the entire movie by himself, with the help of his adorable dog Boy. O’Brien’s Joel is very much a regular guy. He’s not very strong or skilled (something his friends remind him constantly). However, he doesn’t give up easily, which makes him someone we can root for.

Unlike Zombieland, which is a very similar film, Love and Monsters doesn’t have a very strong line up of secondary characters. Here we have Aimee (Jessica Henwick), Clyde (Michael Rooker), Minnow (Ariana Greenblatt), and a bunch of other characters without much screen time. Their roles aren’t bad or bland, they just don’t have much to do besides helping Joel achieve his goal. But all of them do a great job with what they have.

The monsters are also a huge part in this film, and even though this movie is not a big blockbuster like Avengers Endgame, the VFXs are very impressive. All the monsters that we see are unique and they all have different abilities. It’s very interesting and rewarding to see Joel facing different types of creatures and overcoming his fears.

Finally, I really think this new universe has a lot of potential (maybe we could see Love and Monsters Vol.2?) This world is huge, and I really want to know what happens with Joel and his friends after the events of this film. But even if we don’t get any kind of continuation, Love and Monsters is incredible. Sure, it’s not a masterpiece, but I don’t think it has to be one in order for us to enjoy it. It’s funny, entertaining and a bit emotional, so I’m confident a lot of people will love it. Plus, if you like Dylan O’Brien, this is a must see.

The Haunting of Bly Manor

The Haunting of Hill House was one of the most interesting shows of 2018, and thanks to its successful debut, Netflix announced a second season which will focus on a different haunted house. With The Haunting of Bly Manor, creator Mike Flanagan takes us to England, where a young American au pair is hired to take care of two orphans who reside at Bly Manor, a huge mansion with lots of secrets.

This new season of “The Haunting” series is as strong as the previous one, at least in terms of characters and story, but it’s definitively not as scary or creepy. Is this a bad thing? It depends on you, to be completely honest. If you were looking for a traditional horror story, similar to Hill House, with lots of jump-scares, I think you would be disappointed with Bly Manor. However, if you enjoy a good story with a complex and deep story behind, you will love what Flanagan has created.

Yes, The Haunting of Bly Manor is not very scary. There are some good scares, and the ghosts Easter eggs that made Hill House so interesting are back. Some episodes are actually scary, or have good horror sequences, but not as much as some people (myself included) hoped. Plus, I think that the ghosts in Hill House were creepier and more terrifying than the ones we have in Bly Manor. However, that doesn’t mean that this season is, in any sense, bad or forgettable.

So, why is The Haunting of Bly Manor such a good show if it’s not that scary? The answer is simple: the characters, the story and the atmosphere are excellent, and sometimes even better than they were in The Haunting of Hill House.

THE HAUNTING OF BLY MANOR (L to R) T’NIA MILLER as HANNAH, BENJAMIN EVAN AINSWORTH as MILES, RAHUL KOHLI as OWEN, AMELIE SMITH as FLORA, and VICTORIA PEDRETTI as DANI in episode 101 of THE HAUNTING OF BLY MANOR Cr. EIKE SCHROTER/NETFLIX © 2020

First of all, the story is incredibly well-written. Mike Flanagan and the rest of the writers have created one of the most powerful gothic love stories I’ve ever watched. The stories behind Bly Manor, the ghosts and the main characters are deep, emotional, romantic, and so well constructed that, by the end of the show, you’ll be completely satisfied. This is one of those shows where the ending is actually good and doesn’t disappoint. Yes, some people could argue that the pacing isn’t perfect, and I would agree. Sometimes The Haunting of Bly Manor is very slow. But the show is a slow burn, and the best episodes are towards the end, where everything starts to make sense and you can finally put together all the pieces of the puzzle.

The characters are probably the most interesting element in this show. Every single character has an interesting backstory, and the show takes its time to explore them. Bly Manor is the kind of show where all the characters are so well written, that they feel like real people. Maybe the pacing wasn’t as good as one would have hoped, but I appreciated the fact that Flanagan and the other writers took the time to create interesting and realistic characters.

But the writing isn’t the only thing that made these characters the strongest element in this show. The cast is fantastic, and they deserve all the attention they’re getting. Victoria Pedretti, T’Nia Miller, Amelia Eve and Oliver Jackson-Cohen are, in my opinion, the strongest members of the cast, and their characters carry the show. However, both Benjamin Evan Ainsworth and Amelie Bea Smith, who play Miles and Flora, the orphans, deserve to be mention in this review, because they did an incredible job with their characters. And even though I never want to hear the sentence “perfectly splendid” again, I can’t say enough good things about those kids and the cast in general.

So yes, The Haunting of Bly Manor is quite different from its predecessor. It’s not just a ghost story. As they say at the end of the show, it’s also a love story. And a very good one, by the way. If you can, give Bly Manor a chance, and try to finish the show (if you haven’t already). You won’t regret it.

THE HAUNTING OF BLY MANOR (L to R) AMELIE BEA SMITH as FLORA , BENJAMIN EVAN AINSWORTH as MILES, and T’NIA MILLER as HANNAH in THE HAUNTING OF BLY MANOR. Cr. EIKE SCHROTER/NETFLIX © 2020

Ratched

Ryan Murphy and Sarah Paulson are teaming up again, but this time it’s not for another season of American Horror Story. At least, that’s what it looked like at first. Murphy and Paulson bring us Ratched, the new Netflix series that explores the origin of one of the most interesting characters in movie history: Mildred Ratched, the nurse that treated Jack Nicholson’s R.P. McMurphy in One Flew Over the Cuckoo’s Nest.

Ryan Murphy is a very special producer. No one can deny that some of his shows are outstanding pieces of art, like the first season of American Crime Story. But we all can agree that he doesn’t hit the jackpot every single time. However, despite his many flaws, Murphy always delivers good entertainment for those like me who tend to enjoy his work.

Ratched is definitely a Ryan Murphy show in every single aspect. From the gorgeous locations and shots to the amazing cast (including Sarah Paulson, of course). And the show has the potential to become the next Bates Motel. But even though this first season is strong on its own, and I’ve enjoyed it a lot from the very beginning, there are certain elements that don’t quite work.

The first thing that bothered me about Ratched was the season finale. The show ends with an amazing cliffhanger, which leaves us begging for season 2. But the problem isn’t that. At the end of the final episode, Sarah Paulson’s Mildred Ratched is, without a doubt, a totally different person than the Ratched we know from the movie. Now, I understand that Murphy really wants to continue with the story and, as I said, the show has potential, so maybe in a couple of seasons, we’ll end up getting the real Ratched. However, I feel like Netflix’s Ratched is a completely different character and it would be really difficult but interesting to see how they can unite both stories.

Does that mean that Paulson’s interpretation of the iconic character is bad? Not at all. Sarah Paulson is one of the best actors working on TV these days, and she is the best element on the show. Her Ratched has what Louise Fletcher’s didn’t: a backstory that justifies and explains how she acts. Of course, Ratched is a series and she is the main character, but sometimes protagonists are bland and the shows must be carried by the side characters. This isn’t that kind of show.

I loved Paulson’s Ratched: the way she dresses, her ability to manipulate everyone, and, especially, how well she adapts to every single situation. I can’t wait to see how she evolves in the next season and (hopefully) how she ends up being the Mildred Ratched that Nicholson hated so much.

The rest of the cast is also great. Finn Wittrock is a very convincing serial killer and Judy Davis’s Nurse Bucket is a delight throughout the series. Charlie Carver is surprisingly good, even though he doesn’t have much screen time and even Sharon Stone has her moments. And Sophie Okonedo is a force of nature. She shines every time she’s on-screen, and even when her character reminds us of James McAvoy in Split, her Charlotte is one of the most amazing elements on the show.

Ratched story is very interesting, and I think that’s one of the strengths of this show. The episodes never feel too long or too crowded. There aren’t unnecessary subplots that complicate the story too much, which is something that Ryan Murphy tends to do and even though the show is very similar to his other creation, American Horror Story, Ratched is more similar to the best seasons of that show and not the worst ones.

In general, I think Ratched is a very good show. If you like Ryan Murphy, American Horror Story, Sarah Paulson, or asylums, this is your show. And if you’re a fan of One Flew Over the Cuckoo’s Nest, I think you can enjoy the series if you understand that this is a different take on the character and the world that movie portrayed.

I hope we get to see more of Murphy’s Ratched, and as they did with Bates Motel, I think it would be interesting to see if the final season for this show recreates the events of the movie. We’ll have to wait.

The Thing About Harry

The Thing About Harry

It’s been a couple of weeks since Freeform released The Thing About Harry, an original rom-com produced by the platform, directed by Peter Paige and starring Niko Terho and Jake Borelli. The story of two former high school enemies who become best friends and fall in love with each other is a must-watch if you are a fan of cheesy rom-com films.

But why should we watch The Thing About Harry? What makes this movie different from the other hundreds of rom-coms that we can find out there? Well, as you can imagine by looking at the poster, this is the story of a gay couple. So, if you haven’t watched the movie, go now and watch it, because we are going to discuss this film with spoilers.

NIKO TERHO, JAKE BORELLI

The Thing About Harry is the kind of film you would expect. It’s, as some people have pointed out, a very cheesy movie, full of cheesy moments and dialogues. However, that’s not a bad thing at all. To me, The Thing About Harry really feels different from those other rom-coms we are used to watching, and that’s because both protagonists are part of the LGBT+ community.

It was really nice to see these two men falling in love with each other, becoming friends, fighting and struggling to find the love they deserved, because that’s something you only see in straight rom-coms. And I’m not saying that straight love stories are unnecessary, bad or uninteresting. Some of those stories are absolutely incredible, and I love them, but I’m not used to seeing that same story being told from the perspective of a gay man, so that’s what really changes everything about this film.

Peter Paige, the director and co-writer, does a great job creating two amazing characters, Sam and Harry, and telling their story. The way they interact with each other in every single scene is perfect, and I really felt their connection from the very beginning. That’s also thanks to the amazing acting from both Terho and Borelli. Both actors have amazing chemistry, one that you could notice just by the way they looked at each other. In fact, there’s one scene at the beginning of the movie when they have to spend the night in a motel room, and since that moment, I knew they were a perfect match. That whole sequence is wonderful, and it shows the incredible connection between these two characters.

The rest of the cast is also great. Britt Baron as Stasia is, without a doubt, the best secondary character in this film by far. She is very funny and charismatic, and her relationship with Sam, their friendship, was one of the best aspects of the movie. I loved how she was so “edgy” and “didn’t want a relationship with anyone” but ended up marrying Zack on Valentine’s Day. That was very funny.

The ending is also one of my favorite moments in the movie. I don’t know why, but even though I’ve seen hundreds of public love confessions, it’s something that I still enjoy. I love seeing people running and stepping into public events just to say “I love you”. And if you are a fan of rom-coms in general, I’m sure you love it too.

To be honest, The Thing About Harry is not a masterpiece. However, I think it is the kind of movie that you will watch countless times and love every single aspect of it. It’s very romantic, touching and funny, and sometimes, that’s all you need in a movie.

Estrellas Finales

JAKE BORELLI, NIKO TERHO

Chilling Adventures of Sabrina Season 3

Sabrina 3 - 1

Rejoice, witches! Our favorite witch is back! And this time, we are going to Hell.

The Chilling Adventures of Sabrina became one of Netflix’s most popular shows soon after its release, back in October 2018. Since then, we’ve had two seasons and one Christmas special (something that I hope they do again), and now Netflix has released the third season, and it’s already preparing the fourth one.

Is Part 3 of the Chilling Adventures of Sabrina worth our time? The short answer is simple: absolutely yes! However, I’d like to talk a bit more about this new season, which overall, I thought was really good and introduced a bunch of new and cool stuff that we can discuss right now.

Before we begin, I warn you: this review is full of spoilers, so if you haven’t watched every single episode of CAOS Part 3, go ahead and do it. What are you waiting for?

sabrina 3 - 5

Great, but not perfect

I will begin with the not-so-good elements of this new season because, as I said, Part 3 was great, but not perfect.

I love musicals with all my heart. I love Glee and High School Musical: The Musical: The series. I simply love it when the characters of a movie or a tv show start singing and dancing spontaneously. Up until this point, I’ve even enjoyed CAOS‘s musical moments, especially in season 2, when they did that Masquerade in front of Lucifer. However, I think that they’ve gone too far in this new season. Sabrina and Roz’s cheerleading was cool, but the pre-recorded music didn’t fit at all, and Theo, Harvey and Roz’s band was pointless. I did like the episode where the cheerleaders performed at the Academy and the witches used their energies to power up, but that was a very good idea and the musical number was very well integrated within the context of the story. Overall, I do think they need to stop introducing random musical numbers if they don’t fit in with the story. It’s just a waste of our time.

I’m also tired of Blackwood. I think he’s served his purpose, and now he’s just there for the sake of being there. I understand that he is going to be a crucial part of season 4, and I’m kind of intrigued about that, but I don’t care about his character anymore. To be honest, Prudence and Ambrose should have killed him when they had the chance to, because now that he bears the Mark of Cain, he’s practically immortal, so I guess he’s going to be around for a while.

Finally, and this is more of a request for next season, I need more powers. This season was great in terms of Witches using their magic, but due to the fact that Lucifer decided to punish the Coven (I can understand why) taking away their powers, we’ve had a season where the main characters were facing a lot of dangers, and they couldn’t do much about it. Now, as I said, I’m ok with what we got, especially in that final episode when the Coven defeated the Pagans. However, after seeing Sabrina flying and killing angels with infernal fire, I was hoping to see more of that. And I still think they can give that to us in Part 4, now that Sabrina is Queen of Hell. At least, one of the two Sabrinas we have now.

sabrina 3 - 3

Why CAOS is a good show

Every time I finish watching any season of CAOS, I say to myself: I want more. And that’s a good sign. Netflix’s adaptation of the comics is really special, and if you think about why this show is so good, you find the answer easily: the cast and the story.

CAOS is not Game of Thrones. It doesn’t have the biggest budget of all times. However, that doesn’t mean we can’t enjoy this show, because we do.

The cast is probably the greatest aspect of this dark and satanic series. Starting with Kiernan Shipka, she was born to play Sabrina. She is incredibly charismatic, and she makes us love Sabrina and we root for her even when she makes mistake after mistake. But she is the main character, so making dumb decisions is in her nature. Without them, the show would be very boring. Plus, Shipka really sells her spell casting, which is not an easy task.

Shipka’s Sabrina is not alone in this show, and, even though she is the star and main character, the rest of the cast is just as great as her. Michelle Gomez is not only my favorite character but also a very complex one. Her relationship with Sabrina is one of the most interesting aspects of the show, and I really hope they explore it even more in Part 4. Gomez’s Lilith is not only funny and charismatic but also a very powerful character, who’s willing to do everything to survive. Her future with Lucifer and the son they are expecting is very intriguing, but I want to see how she handles the two Sabrinas situation when she discovers the truth. And she will because as Ambrose said, she notices everything.

Hilda and Zelda continue to be great characters, and their storyline in this season was very good. Zelda’s new love interest is promising and I’m very happy to see Hilda being happy. As for Ambrose and Prudence, they had some really good moments, and they are great characters overall.

And last but not least, let’s talk about Roz, Harvey, Theo, and Nick. Out of these four characters, I honestly think Theo is the best one. His role in the show has evolved a lot since season one, and his relationship with one of the new characters, Robin, was a key element this season. Roz and Harvey are good characters, but they don’t have much to do. Roz’s cunning is an amazing gift, but I didn’t understand why she never said anything about what she saw at the Carnival. I mean, a lot could have been avoided if she had said earlier to everyone that she just saw a weird half-human, half-goat creature with her powers. As for Nick, I just don’t like him very much. I understand he’s been through hell (literally), but the way he treated Sabrina, even after they got rid of that Lucifer’s essence he had inside, was really despicable. Besides, he didn’t have much to do this season.

Now, even though I don’t like some of the characters of this show, I still think they are the most important and interesting aspect of it. The way the writers handle all of these characters and storylines is truly amazing, especially in an 8-episodes season. I said it last week when I talked about Sex Education, and I’m saying it again: Netflix shows are popular because they have great characters and stories, but they are also good because the writers know how to develop interesting storylines and relationships between the characters. In a world post Game of Thrones Season 8, I really appreciate when writers develop good and coherent characters.

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The new additions

Part 3 not only deals with our favorite characters as usual, but it also introduces some new ones. And I have to say, all of them are refreshing and exciting new additions to this show.

Sam Corlett’s Caliban could have been a very annoying Hell demon because his main goal is to get the throne and rule Hell, so his aspirations are a problem for our main characters. However, Caliban is not only funny and charismatic but also intriguing. The dynamic he develops with Sabrina was very cool and kind of sexy, and even though he betrays her a lot, something tells me that Sabrina will need his help in Part 4. Maybe their relationship could grow into something more. We’ll see.

Skye P. Marshall’s Mambo Marie is also a very powerful new addition to the Coven. I’m ready to see more of her Voodoo magic and, what’s even more important, her relationship with our favorite High Priestess, Zelda.

Finally, I really enjoyed Jonathan Whitesell’s Robin Goodfellow. His relationship with Theo was very cute, and the fact that he is a hobgoblin makes for a very interesting dynamic between him and the rest of the group. I do think that his storyline was a bit cliché at first, but I’m looking forward to seeing how he grows as a character.

The Pagans ended up being great adversaries. Their powers were very cool, and I really felt that the Coven was in real danger. I knew that all of the killings that happened during the final episodes of the show weren’t going to last forever, but I thought that the Pagans could hurt the Witches pretty badly because they had the power to do so. But the Witches didn’t have their powers when they were facing them, and once the Coven recovered and regained their strength, it was really easy to get rid of those old gods. They were good characters, but I won’t miss them a lot.

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Give us more, please

Season 3 was great. The story of the Pagan gods and the competition to see who would rule over Hell were two very interesting storylines, but they’ve ended. Now we have two Sabrina, and one of them is Queen of Hell. However, having two Sabrinas is probably not a good thing, and I’m sure that both of them will realize that sooner rather than later.

Furthermore, Blackwood and his twins have released something that will cause trouble for the Spellmans, and even though I don’t want to see more of Blackwood, I’m actually intrigued by that mysterious creature and how it’s going to fight the Witches.

In general, I think that Part 4 is going to be as wicked and enjoyable as Part 3. I know they are already filming it, but there are a couple of things I really want to see.

I want to see more of Sabrina’s dark side. Now that she is Queen of Hell, I want to see what she can do, and she has both Lilith and Lucifer to teach her some cool stuff. And I want more of Lilith plotting against Satan.

I also want to see how they develop the twins, especially how they interact with Zelda and Prudence. I don’t know if they are supporting Blackwood because they want to, or because he cast a spell on them. Knowing Blackwood as we know him, the second option is not a crazy idea.

And last, but definitively not least, I want more of Salem. I don’t know how, but they need to find a way to make that cat talk, and he has to begin showing up more frequently. Otherwise, what’s the point of having him there?

The Chilling Adventures of Sabrina is probably returning later this year, so until then, let’s enjoy this third season, witches, and let’s hope we don’t have to wait long to see the story continue.

Praise Sabrina, Queen of Hell. 

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Sex Education Season 2

Sex Education Season 2

Season 1 of Sex Education was one of the most interesting and revolutionary shows Netflix released last year. The 8-episodes British comedy dealt with a lot of important issues like sex, homophobia, slut-shaming and more, and wasn’t afraid of showing things like abortions or STIs, proving that a teen comedy could also be very educational.

Now, Netflix has released season 2 of this amazing show, and I’m very happy to say that it’s as good as season 1 and even better in certain aspects. To sum up, Season 2 picks up exactly where we left it: Otis and Eric are friends again, Otis and Ola are starting a relationship, Maeve and Adam are expelled, and the school is freaking out about a chlamydia outbreak.

One of the first things I want to say about this new season, and the show in general, is how impressive it is that the screenwriters are able to handle so many characters and storylines without making it feel rushed or messy. In fact, this new season not only handles every single character we knew from season 1 perfectly but also introduces new characters, giving all of them their own storylines and development.

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The new characters are incredibly interesting. Chinenye Ezeudu’s Viv or George Robinson’s Isaac are great examples of what I said. They interact with the main characters and develop engaging dynamics with them, which makes their role in the show not forced at all. Some of these new characters are more relatable or likable than others, but all of them feel real.

As for our beloved characters from season 1, they all got very funny, romantic and (of course) sexual stuff to do. Asa Butterfield as Otis continues to be a very good protagonist, and his chemistry with Emma Mackey’s Maeve (sorry Ola) is incomparable. However, his storyline is interesting because of the other characters he interacts with, not because he is interesting on his own.

Maeve and Eric (Ncuti Gatwa) are still the best characters in the show. They both have complex stories and problems that we, as the audience, can relate to, and their relationships with the rest of the cast are great.

Gillian Anderson’s Jean was definitively a very important character in season 1, but I felt that her relationship with Otis should have been developed a little bit more. This season, the writers did exactly that, and it was great. The dynamic between Otis and his mother, Jean, is fascinating and I think that, by the end of this season, they are in a very interesting position that I’d love to explore even more. Plus, they also explored Jean’s aspirations and needs a bit more. Her friendship with Adam’s mom, Maureen, was one of the best elements they’ve introduced in this new season. It was nice to see Jean interacting with more people other than Otis or Jakob because that gives the character more depth.

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I would love to talk about the whole cast, but it would be necessary to go into spoiler territory, so I’m just going to say that the rest of the characters were also great, and they all had their moment to shine. Adam’s development was amazing, Jackson’s story was also great to explored and Aimee became one of my favorite characters.

The show keeps handling important topics and social issues as good as they did in season 1. Sexual assaults, consent, anxiety, self-harm, fetishes, asexuality, and bisexuality are some of the new topics they tackled, always with humor and love, but also keeping in mind that they are something that happens a lot in our society, especially with teenagers. And it’s amazing to see a show like this and think about all of the teenagers around the world, who are watching the show, and can feel identify with some of the characters or their dilemmas. As I said before, this is a very important show that everyone should watch. Even if you think that you are not the kind of person this show was created for, try to give it a chance. The issues they present here are everywhere, all around us, and a lot of people (kids, teenagers or adults) suffer from them.

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I’m also very impressed by the visuals of this new season. Sex Education is not only a very well-written show, but also a visually stunning one. Each shots’ colors, the sets, the lights, and the characters’ clothes are beautiful and striking. Sometimes, while I was watching the episodes, I felt the need to play pause and just look at the backgrounds of the school or the landscapes for a couple of minutes. That is a very strong choice that I really loved because it makes the show even more special and unique. TV shows are usually pretty generic, in terms of visuals, so I appreciated the fact that they’ve created a show that is not only interesting in terms of story and characters, but also bright and colorful.

I won’t say anything else about this new season and the show. If you liked season 1, you’ve probably finished the new season by now, and if not, go and watch the eight episodes as soon as possible. The ending will leave you wanting more and more, and I’m sure Netflix will renew the show for, at least, one more season. And even if you don’t like teen comedies or teen shows in general, I think that Sex Education is so good, and so relevant in today’s society, that you could end up enjoying it a lot. To me, this is one of Netflix’s best original series and I can’t wait to see what they have in store for season 3.

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Jojo Rabbit

Jojo Rabbit

I love Taika Waititi. He is a very talented director, his movies always make me laugh and, as an actor, he also plays great and funny characters. For those reasons, and as a Taika Waititi fan, I was really looking forward to seeing this movie. I thought it would be similar to one of his first films, Hunt for the Wilderpeople, but even funnier and weirder. After all, this is a movie about a little boy who wants to be a Nazi and has Adolf Hitler as his imaginary friend. However, I never thought I would leave the theater with tears in my eyes. But I did. I cried a lot while watching this movie. I also laughed several times, but I knew I was going to do that. What I didn’t know is how emotional and touching this movie would be.

Now, to be honest, this movie is not perfect, and most people won’t believe me when I say that, in my opinion, the script’s comedy aspect was the weakest element in the film. That doesn’t mean that the movie isn’t funny. It is. As I said, I laughed a lot and, as we all know, Waititi’s comedic skills are always on point. To me, there are two problems with the comedy: the first one is that the funniest jokes are in the trailers. That’s obviously not a problem the movie has, but more a problem that the movie has developed. Those jokes are great, but I’ve already heard them, so they don’t have the same impact on me as they did when I first saw the trailers. There are other gags in the movie, but they are not as funny as the ones I already knew.

My other problem with the comedy is that, at a certain point in the movie, something truly shocking occurs and, from that moment on, the movie becomes a very dramatic World War II story, in which the comedy doesn’t really fit. In the third act, after THAT thing has happened, Waititi keeps trying to introduce comedic elements in the narrative, but it doesn’t work. And the thing that surprised me the most was the fact that those elements weren’t really necessary. In fact, even without that characteristic Taika Waititi comedy, the third act is actually my favorite part of the movie. So, let’s talk about the great stuff.

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Jojo Rabbit tells the story of a young German boy who discovers a Jewish girl hiding in his house. These events take place during the end of World War II when Germany was about to lose. Waititi focuses the story on the relationship between the girl, whose name is Elsa, and Jojo, creating a very funny and cute dynamic between the kids. The scenes between these two characters, played by Roman Griffin Davis and Thomasin McKenzie, are the best moments in the film and the way you see how their relationship grows is absolutely incredible. I can’t say enough good things about both actors and the amazing job they did with their part, especially the young Roman.

Waititi’s script really shines during these scenes, showing how good he is at writing real people. People with fears and doubts, but also with hearts. Waititi’s characters are funny, yes, but that’s just one of the layers. They are very realistic and relatable, and that’s what I love about him as a filmmaker, even more than his comedy.

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One of the greatest elements in this movie is the acting. The whole cast does a great job. Rebel Wilson and Sam Rockwell both have small roles, but they also have great lines. Waititi is also great at playing imaginary Adolf Hitler, even though his role is not as large as I thought it would be. However, Scarlett Johansson is the one who stands out in this film, alongside Roman and Thomasin. One of the reasons why she shines and steals every single scene she’s in is because her character is perfectly written and has the best lines in the movie. The other reason is that she simply does an amazing job with her part, portraying a very kind and caring mother who is also trying to do some good. And that was one of the things I really liked about her character: she wasn’t just “the mom” in the story. She was a complex human being, not only a plot device.

As I said before, I don’t think this movie is a masterpiece. It’s not a perfect movie. But I love it as it is. I think that the good elements of the film are very good, and the bad parts are just not that good, but they are not horrible. Jojo Rabbit is a very touching, funny and entertaining story, with great characters and a beautiful message. This is probably one of my favorite Taika Waititi’s films to date, and I’m sure that, if you like Waititi’s filmmaking style and humor, you will love this movie as well.

Estrellas Finales

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